Models strode around a hulking, fantastical set parading familiar silhouettes – neat, short-sleeved button-up shirts paired with full skirts, bustier dresses, trim cardigans and cropped jackets – in sombre colors and stylised floral prints.
Chiuri softened structured jackets and drew on fabrics woven with metal thread to give a new, creased texture to classically-cut dresses – pushing styles into a sporty direction, for daywear.
Accessories including pearls, gloves and thick, black headbands, the tassles tied into bows.
Chiuri sought to add a Parisian flair to the styles of the period, which are often associated with American Hollywood productions.
“It was very different, the situation in Europe than in the USA,” she told Reuters, noting that the women who served as inspiration for the collection – Christian Dior’s sister Catherine Dior and French singers Edith Piaf and Juliette Greco – were rebuilding their lives following World War II.
Moody organ music kicked off the show.
Models wound around the space – a tent in the Tuileries Gardens – under a massive, hanging set, its bulbous tentacles embellished with hand-sewn crochet work, fringes, sequins and feathers.
Portuguese artist Joana Vasconcelos described her work as an abstract flower, forming a “magical garden like another world, another dimension.”
“It’s quite unique for the contemporary art world to have this connection to the fashion world,” she said, noting the show added intimacy to her monumental art.
Held on the second day of Paris Fashion Week, the show drew crowds of fans angling for a glimpse of K-pop singer Jisoo and actress Charlize Theron, who sat in the front row next to members of LVMH CEO Bernard Arnault’s family.
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